Hopefully this is the last time I have to re-plot The Narrator before I send it out to beta readers. I’m getting sick of re-plotting it, but I know the story is benefiting from it!
If you know anything about the protagonist’s inner and outer desires, excuse the quick explanation. The outer desire is what they want, and is usually selfish; the inner desire is what they need, usually unknown, and is usually unselfish. To create a great protagonist, these desires need to be in opposition.
I came up with the perfect set for Prince Calder. His outer desire is to go on adventures and be a hero; his inner desire is to control his own life. Normally those go hand in hand. But with an omniscient, powerful narrator as your antagonist? Holy crap, you’re screwed.
If you go on adventures and are a hero, you’re not really controlling your life because you’re falling into what the narrator wants. If you don’t, you are controlling your life but you’re very unhappy. And probably no longer qualify as the protagonist!
Unfortunately, this revelation also means that my progress bar reset to 0. The first quarter of the revision should go pretty fast, since the content is similar, but it’ll slow down as I expand or totally re-write the rest of the novel.
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Great tips! I sometimes forget that a character’s inner desire is usually not apparent to them. I love when it’s apparent to the reader and they can watch as the character makes a realization.
When I was sorting all this out, I wondered if every character is supposed to get a set of inner and outer desires. I gave the major characters a set to help character development, but who knows how much they’ll come into play.